Destined

A short review on Inkitt to support an upcoming writer.

Destined

I really thought Destined was well extremely well written, with a nice literary style. The pace was just right, and kept me captivated. There were more romance and slice of life scenes in than science fiction ones, but surprisingly it didn’t bother me as much as it usually does.
My only criticisms are that many of the scenes weren’t as memorable to me as I’d hoped, which is why I scored Destined lower on plot. Maybe a bit more action or circumstance in the confrontation scenes would have helped to make the main character’s encounters with Enoch more memorable. Also a few paragraphs at the beginning told us about the world and its history, and I would have preferred to be shown in another way. Not too many mistakes.
The setting, feel, and connection between the characters was top notch. Pleasant reading experience that uses numerous themes for inspiration. I’ve a good feeling about Destined.

Read Destined on Inkitt

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Ambloome Princess of Giants – 4/5 Stars

Fast-forward poetry. A new earth man is picked up by a giantess each chapter. It rhymed and was fun to read, especially the innuendo and lines that ended in the characters coming closer.
I didn’t make a strong connection with many of the characters, but it is the nature of the writing.
The chapters would remind readers of what happened before, but sometimes it was easy to forget the events leading up to subsequent chapters (fast-forward poetry).
This is a fun read.

Read Ambloome Princess of Giants

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To Review – Phoenix

Yes, I’m showing off!

Author Daccari Buchelli is a fellow author with Asperger Syndrome who also writes in the fantasy genre. I agreed to review his story Phoenix (Book 1 of the Peradon fantasy series), and he kindly signed it for me. I’m looking forward to finishing reading. I will be posting the review on alexjameseditor.com/blog Why not started reading it with me, and let me and/or the author know what you thought about it?

Phoenix by Daccari Buchelli

Phoenix by Daccari Buchelli

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Phoenix by Daccari Buchelli

 

 

 

 

 

 

 

Daccari Buchelli’s website

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Lighthouse School Visit

Thank you for your welcome!

Lighthouse School Photo 1


Lighthouse School Photo 2
Lighthouse School Photo 3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(Some of my books photographed in the Lighthouse School library, as well as a display.)

On 4th November 2016 I had the pleasure of visiting the Lighthouse School, which is a school in Cookridge, Leeds for young people with an autistic spectrum condition or related communication disorder.

I was kindly invited and welcomed by teachers Caroline Maston and Lisa Mitchell. I was there to speak about my experiences as a writer in the hope that I could help encourage the students. I had an informal talk with several of the students, who asked well considered questions, such as how long it takes me to write a story, how I keep my writing going, and what advice I would give to young authors. I thoroughly enjoyed visiting the school and meeting the teachers and students; there was a nice atmosphere and I would be happy to visit again.

I hope the students continue with their interest in writing, and I’m sure they have a lot to write about 🙂

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Publisher Inkitt launches new iOS app

Today Inkitt is introducing an iOS app for iPhone and iPad available to readers globally. The iOS app will give book lovers and publishers greater access to Inkitt’s digital library of over 80,000 stories by up-and-coming authors. Key features include:

  • Access to 80,000 stories in every genre: fantasy, sci-fi, romance, thriller, horror, adventure, action and more
  • Personalized suggestions: hand-picked novels based on reader’s preferences
  • App customization according to user preferences (e.g. font size, colors)
  • Online/Offline: readers can save novels to their offline library to access them without an internet connection

Inkitt’s iOS app was released in beta in Australia and Canada earlier this year and is now available for download globally here:

Inkitt App

 

Screenshots

 

01-inkitt-ios-app-onboarding-screenshot 02-inkitt-for-ios-onboarding-2-screenshot 03-inkitt-ios-app-onboarding-3-screenshot 04-inkitt-ios-app-screenshot 05-inkitt-for-ios-personalized-novel-recommendations-screenshot 06-inkitt-ios-app-customize-screenshot 07-inkitt-for-ios-offline-library-screenshot 08-inkitt-for-ios-example-screenshot

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Demonstration video

Introducing Inkitt for iOS: Read great novels by up-and-coming authors on your iPhone and iPad from Inkitt – The Hipster’s Library on Vimeo.

Demonstration video: https://vimeo.com/189025933

About Inkitt

Inkitt, the world’s first algorithm-based book publisher, helps readers and publishers to discover the world’s next bestsellers. On the surface, Inkitt is a platform where writers can share their novels and readers can unearth fresh content. But under the hood, Inkitt has built an algorithm which analyzes reading patterns to predict future bestsellers. Using this unique data- and readers-driven approach to uncover stories, Inkitt’s goal is to remove the middle person so that a blockbuster book is never rejected by a publishing house again. Using this unique data-driven approach, Inkitt aims to help emerging writers achieve their dreams of getting published by becoming a point of reference for publishers In other words, if readers love it, Inkitt publishes it.

Back in April, Inkitt announced the signing of the platform’s first algorithm-chosen novel. Since July, Inkitt has published another 3 novels, two of which became bestsellers in their respective categories upon launch. In less than 2 years, Inkitt has attracted over 700,000 unique readers.

Inkitt’s bestsellers

inkitt-bestsellers-picture

 

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Nonsense Writing 2016 – 1

Nonsense unchecked writing. There probably isn’t ‘air’ in space, right?

The gargantuan ships came within proximity of each other, lambasting shell after shell of explosive matter, amid crashing systems and tumultuous tremors. The vacuum of space seemed thick with their presence, stuffy, and with volatile air.

System failures resounded, giving the interior of the ships a voice they didn’t have before. The metallic purple of their hulls glinted in splashes of sparks and ruptured at the slightest impact, puncturing the curved shape and forcing it ever inward, threatening to crumble.

Face-to-face, the enemies could see one another through the gaping mouths of the front of their ships, which were the same model. However, no shells or missiles could penetrate the space-glass panels. Despite the scorch marks and minor dents, the array of panels, which stretched for a kilometre, stood proudly intact and resilient against the unleashed weaponry.

Similar panels, though grey and ceramic, coated the floor on the inside of each ship, where enemy could stare at enemy, as they worked cohesively to undermine one another via an assortment of buttons on blocky misshapen  machines stripped with the bright colours red, blue, and yellow.

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Is Inkitt the right platform for writers?


Kroll Magnificence Image1 (2)Are you a writer looking for reviews or thinking about getting published? Actively approaching reader communities is a good way to get feedback on your complete story, or for a sample or excerpt. Engaging reader community websites might be your next step towards adding those finishing touches, reaching new readers, or getting published. The following blog post will cover my experience of data-driven publisher and reader community Inkitt, and their recent Story Peak Contest, where three writers can win a publishing offer from them. I’ll address the positive and the negative aspects of the contest and what my thoughts are on Inkitt as a publishing company, which will hopefully give you some insights into how to make the most of the contest in achieving your writing aims or book marketing aims.

Should I enter the Story Peak Contest? That was the first question on my mind. A little research on Google on what other sites say about Inkitt leads to quite mixed results, and there wasn’t enough convincing information on either side to encourage me to fully decide one way or the other. The sites that were positive cited how amazing the platform was for connecting with readers and getting their stories noticed, and that some writers were going to eagerly upload their latest story to future contests. However, I spent more time looking at the negative points on sites, to see if there were any valid concerns before I entered their latest contest. Some cynical sites will tell you they are notorious spammers, that you’re giving away first English language rights by uploading your content to their site, or that it’s silly to ‘publish’ your story on Inkitt for them to maybe offer you a ‘publishing’ deal afterward. Some of us have become so suspicious of new start-up publishing companies that our attitude is to dismiss them out of hand, and based on what I’ve experienced or seen I can understand.

Before I entered their contest, I asked a few questions to see if they could clear up some of my concerns about the above points. The responses I got were prompt and friendly, though perhaps a little vague. Sometimes different people would answer my questions, which was confusing, but at least they had names and job descriptions. I was soon wondering if I was asking stupid questions. The reason for this is because the instructions on their website are short and simple, Spartan one might say and we writers like to ask questions and worry about the details. A few things came back to my mind to reassure me: All Rights Reserved was posted beside the writer’s name on every story uploaded to the Inkitt website; and on the few occasions in the past when they have contacted my writer website, they have been friendly and reasonable. I haven’t been spammed by Inkitt on Twitter.

I entered the Story Peak Contest early August 2016, with my title Kroll: Magnificence, in the hopes of getting feedback from prospective readers. In the contest, only 100 readers can reserve copies of your story, so if you’re concerned that the entire reading community out there are going to read your latest creation, then don’t be. Those who don’t reserve a copy can only see a short sample. Your job is to build your readership from the ground up, persuading your already existing fans or maybe new fans to reserve their copy, read your story, and leave feedback on the Inkitt site, in the space of about a month. No, you don’t have much time, and if you haven’t got many friends and family who are willing to read your story, you’re going to really have to put in the legwork if you’re going to get anywhere. Indeed, my experience in this contest taught me the same lesson again about reaching readers: the onus is on you. Readers aren’t going to magically gravitate to your story, and then go out of their way to read your story and leave feedback; they need a reason and you need to give them that reason. As a result, getting through the ‘first round’ is not the cakewalk you’d expect it to be. 15 copies of my title disappeared like hot cakes, and I had a real belief I was overtaking the other titles and would get through with ease, but I was wrong. After my preliminary efforts, only 3 more copies were reserved for the remaining three weeks, and I only had myself to blame for my lack of effort. I don’t see it as a failure because it gave me an excuse to ask for feedback on Kroll. More on that below…

Okay, so the positive

Inkitt do take on board writer feedback. Their contest rules, including prior and existing contests, have changed in response to writer feedback, which shows they are prepared to listen and adapt accordingly. Despite their supposed reliance on an objective algorithm, they aren’t uncompromising with writers.

During the contest, I was emailed to be informed I was given a second chance to build my readership when a ‘second round’ to the Story Peak Contest was going to be added, extending the contest. Inkitt also gave writers more control over who was allowed to reserve a copy, encouraging a system whereby only those who submit feedback/reviews would keep their copy. I welcomed this change because it meant writers could control their involvement in the contest and build reader loyalty. After all, 100 readers is the official aim of the contest, but reviews are the main goal of every writer and could well determine success if you manage to get your 100 readers and move to the second round.

Inkitt does provide a handy dashboard for analysing your analytics, and a promotion to-do list that points writers in the right direction to build a readership. It encourages you to succeed, and doesn’t discriminate (at least until the second round).

Whenever I asked Inkitt questions, the people responding would reply in a friendly and efficient manner, and were happy to address my issues. I was under the impression Inkitt were a writer-friendly company determined to adapt to succeed. Though some have doubted their publishing experience and background online, they have a drive to succeed by interacting with a multitude to writers and they seem to be catching on how to we think and responding positively to our needs by changing contest models.

Entering the contest was a worry for me at first. Do I upload my whole unpublished story? Is it wise to do that on a website I know so little about? However, it gave me the motivation to ask friends and family for feedback, and some were more than happy to be asked, for which I was thankful. In a publishing industry where there are no guarantees with book marketing, the simple goals of the contest gave me the push I needed to make an effort on my own behalf to get some reviews. Thanks Inkitt! I went into the contest with nobody having read more than a chapter of Kroll, and came out of the contest with over five people having read at least five chapters, if not the whole thing. It doesn’t sound vastly impressive for a writer, but considering Kroll: Magnificence is an unpublished story that I haven’t shared, I did feel I made reader connections with friends and that I came out of the contest with a sack (of reviews).

The negative parts

When you have your 100 readers, and hopefully, some well earnt good reviews, you advance to the next round where Inkitt will decide who gets published based on their algorithm/system for measuring reader engagement. ‘Algorithm’ can be off-putting for writers, who many mistrust exactly how Inkitt will perceive your story’s success to make it more of a success… Furthermore, it is a source of anxiety what will become of your story if you make it to the next round. Do you just sit tight and wait, and how long do you wait for? How will the second round be carried out? These questions are not answered on the Inkitt website.

Personally, I like to see a publishing company that specialises in certain types of books because it gives me the confidence that my story, and me as a writer, would fit with what the publisher stands for or publishes. Inkitt’s positive every-writer-is-welcome was nice, but if I was offered a publishing deal would I be convinced I was with the right people and company? In their contest description, they do imply they can act as a bridge between A-list publishers and writers, but there are no guarantees here. I’m sure the arrangement would work very well if your story has an exploding readership. Coupled with Inkitt’s promotion, it could work to your advantage. But if readers and reader engagement ebbs then you’re going to see the contest, or your efforts in promoting the contest, as being the main reasons you built a decent readership. I suppose in some ways it depends on the publishing contract and what they can do for you.

Some readers I was in communication with felt it was inconvenient to read from the Inkitt website, which is a problem that may be somewhat rectified once the Inkitt app has been released. Some also were put off by the idea of reading a whole story in approximately one month, but for the sake of a contest I don’t see how this feature could be improved.

On the Inkitt website, I had overlooked the fact that they imply that in a publishing contract you would give your rights to Inkitt, presumably instead of licensing them, and you would get them back if Inkitt didn’t sell 1000 books in twelve months. Some writers might be uncomfortable with this arrangement, but this is only if you are offered a publishing deal. To reiterate, you don’t surrender any rights by uploading your excerpt or your entire story onto the Inkitt website.

Overall verdict

The people who work at Inkitt are writer-friendly in that they listen to writers’ needs, change their contest models, and are happy to explain any issues with prompt replies. This gives me confidence and trust in their company. Their contests are amazing concepts for bringing readers towards their website, and therefore for fostering a future reading community, like Wattpad perhaps. Not only are the contests improving, but they keep targeting different types of readers, which is smart of them.

The people I reached out to were curious about Inkitt, and wanted to learn more. Writers end up being advocates for Inkitt in the hope they can translate this into advancement in the contest, and crucially, more feedback for their complete story.

If you’re looking for a fast way to gain new readers automatically, forget it! You must put in the time to promote your story and reach out to existing or new readers, even if you’re using Inkitt’s handy dashboard. Though it doesn’t state that the reader must read the entire story to write a review, I would recommend asking them to read the first five chapters, especially if they have to read on the Inkitt website.

What happens if you have 100 readers and some decent and positive feedback, after all your efforts? You might get a publishing deal with Inkitt, which might be a good thing, once you’ve seen what it entails and how they can help you reach even more readers. They do the editing, design, and even run the marketing campaigns. Unfortunately, more details or at least an FAQ section isn’t available to view, so I’d recommend to Inkitt that they write something to that effect. Their new website design states that they are a revolutionary literary agent, which is a well-considered angle, if they hope to pitch your story to A-list/traditional publishers, where your story would be published a second time and Inkitt would be the middle-man. If you trust Inkitt, they could work well as literary agents, but you need to be sure they can deliver as literary agents, who usually have a lot of connections and past experience in publishing or are members of an association. They also need to write why they are best placed to become your literary agent. At the moment, there is no guarantee that an A-list publisher would make an agreement with Inkitt, though they have done for past titles published by Inkitt (Bright Star by Erin Swan for example) as is currently visible in a slideshow on their website. As a writer I assumed popularity would interest A-list publishers, but exactly how much popularity is necessary? No, I’m sorry but we writers need more than just a “maybe” made clear to all of us. We need to know in detail what’s great about being published by Inkitt, what’s great about Inkitt as our literary agent, and what’s great about our chances of being published by an A-list publisher in terms of what they can do for us. It might give us writers more motivation to succeed in the contests.

http://www.inkitt.com

Kroll: Magnificence five-chapter excerpt on Inkitt

(If you liked this article, please consider reading my five-chapter excerpt of Kroll: Magnificence on Inkitt and providing me with feedback.)

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The Unlucky Man by HTG Hedges – 4/5 Stars

The Unlucky Man by HTG HedgesI don’t know what my expectations were for The Unlucky Man – I was looking for something dystopian, dark, and that I hadn’t read before – and believe it or not that’s what I got! I’d classify it as an urban dystopian fantasy with supernatural and thriller elements. Ultimately, it’s about ordinary man John Hesker who is talking with best friend Corg when a body smashes on top of their car. They’re questioned by an investigator called Whimsy, who is a man only half-interested in what they are saying and seems to ask his questions ‘on a whim’, so he was well-named. However, it’s not long before the dark elusive organisation called Control will send its most accomplished assassin Wychelo (like a witch with dark unnerving pools for eyes) to kill Jon and therefore hide its secrets. When a disturbing supernatural force is injected into Jon, he goes on the run, over Old Links bridge where there is no law and only savagery awaits.

Well, HTG Hedges has an eye for atmosphere and setting, which places the reader into a three-dimensional world that brought clarity and richness to every description of setting, and was applied consistently throughout. I’d say this was the best feature of his writing, and made me feel as if I was reading something new or rare. The writing from 76% captured me fully, immersing me into complete disorientation, which was the intention, into a graphic hell that was also somewhat pleasant on the senses to witness.

Criticism: it took me a while to remember who the villains were, especially their names and what distinguished them, because they had small parts and mainly from the point-of-view of Jon. Closer to the end there was a touch too much background information on the villains, which though missing before to add mystery, was inserted a little late in this relatively short novel. Third-person omniscient was used to re-shine a light on the villains at 67%, which though I worried the plot was crumbling at this point it did actually put things back into perspective where they had been missing in the car-chases and well-directed action scenes. Third-person and first-person point-of-view was mingled, which lent the story inconsistency and did become more noticeable as it progressed. On that same note, the author was adept at using first-person to add depth, colour, and contrast that I haven’t seen before when reading from first-person POV, but his use of third-person omniscient from 76% was a display of incredible writing. It seems the author needs to decide on where his strengths lie and how to use point-of-view with consistency to deliver maximum impact. I would have enjoyed this more if it was better balanced as well: two-thirds action and one-third background/conclusion didn’t move events forward in a way that I had hoped.

Overall, I don’t think HTG Hedges’ readers will be disappointed by his writing. The atmospheric descriptions, combined with metaphor, worked consistently well throughout. I was often curious where the plot was going, and when things turned chaotic I was utterly absorbed, with mouth agape. Piecing together the sub-elements of the plot didn’t come immediately to me, but when parts did they made sense and piqued my interest. There’s some terrific writing in this.

HTG Hedges’ Website

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Is there a tyrant in you? How would you deal with your tyrant?

Kroll Magnificence Image1 (2)

(Please feel free to comment below.)

Kroll’s personality is a powerful influence in my own life, which defines me in relation to how I feel compared to others. I won’t go as far as to say he completely embodies all traits of Asperger Syndrome, but I’m sure there are similarities to be made such as with inflexibility of thought, obsessive routines, and singular determination and focus.  

Why have I written an epic fantasy about a tyrant who rules the planet? Am I a tyrant? I don’t have any similar experience that can relate to Kroll’s infamy. I haven’t yet subjugated any populations, as far as I’m aware, or conquered all dominions of even our planet – not to be confused with Kroll’s planet. As writers are wont to do, I have put myself in his shoes a little, but it’s just as important to remember that Kroll: Magnificence is a story told from the point-of-view of a few characters – not just Kroll. Therefore, it’s not just about an evil tyrant’s struggle to extend his sorcery and further his control over the realm; it’s also about the fight against Kroll!

To get some perspective and insight, I need to attempt to critically examine my own personality and motives against Kroll’s. Kroll’s struggle to come to terms with the fact that he doesn’t understand everything about his realm is extremely difficult for him to even consider, never mind accept. Our ruler, as his creator does, has an inflexible mind. He was once an alchemist, but when he invents sorcery, he sees an opportunity to empower and liberate himself from the teachers he detests. As he develops sorcery, to combat alchemy, he latches onto its principles and importance in determining the fate of the realm. Indeed, he becomes so engrossed in extending his knowledge in sorcery that his concept of the realm and the state of his sorcery are synonymous. And so, for two thousand years, it has determined how he thinks, lives, and all courses of action he takes are measured against it. Any contradictions to his drive or will to succeed using sorcery are seen as deliberate attempts to undermine or thwart him.

His strong interest in understanding and unravelling its intricacies lead to obsession, and he soon forgets about the world outside, his realm, for so long that he loses any empathy and understanding of the life of mortals. In the ancient past, he had deliberately set himself against the men and women of society, and his obsession can be seen as a protective or comforting retreat from frustration, lack of understanding, and mistreatment. But even now in the present he has, unwittingly, severed all ties with mortals and reinforced his isolation from them.

You will have noticed I use the word mortals, partly because Kroll sees himself as superior to them because of the value he ascribes to the achievements that made him ruler. It’s also because he has successfully lived for two thousand years, where they haven’t. (Or has he?). When things start to go wrong in the realm, as they do, Kroll starts to doubt himself and his understanding of sorcery. What he doesn’t see and grasp is that life is not all about sorcery. There is a part of him that deeply fears this fact and the thought itself haunts him at intervals, because he is afraid if he lets go of sorcery then all of his power and achievements will fade to nothing, and his empire will crumble. (Empire crumble: how tasty!).

There is also a hidden part of him that knows that the most problematic thing that can happen after his tyranny with sorcery would be for him to latch onto another system of power that he would believe to contain more truth or importance than the last. For Kroll, the torment is an everlasting cycle of incomprehension and nail-biting frustration. Why Kroll needs to learn about the way the world works is both a fascination and a huge error in the way he thinks. Let’s face it: in any world you can’t apply your knowledge of a single subject to everything that exists, without oppression, but in the story Kroll is both unable and reluctant to change to suit mortals he doesn’t care about.

Did Kroll take the right path?

Estranged from other people, he has only had to rely on himself, and as a result he has crafted a system for self-provision that he believes is successful. His interactions with others are mostly to do with imposing his will, or setting them inside the framework of the concept of sorcery. It makes sense to Kroll to see others in the context of his latest and most successful system of sorcery. I suppose what he lacks is empathy or a basic understanding of the needs of the mortals in the realm, whose struggle against him in many ways resembles the struggle he had against evil in the ancient past. As is implied at some stages in the story, Kroll sees glimpses of the lives people who look similar to him have and often wonders if or how he could have lived them. Would it have been possible for him to (as he sees it) settle for less? People think he had the chance to become like them, but that because of how he was treated in his youth, he took a path of no-return.

The mortal struggle against Kroll

In a sense, I must have wanted to also write about a tyrant because there was a part of me who wanted to know how to defeat him – to defeat the inflexible, obsessive, uncompromising mind-set. His control over the realm is not pleasant for the other characters, whose fates are known by and determined by Kroll’s sorcery creation: the Orthodoxy. The other characters, though in essence mortal, were gifted by sorcery attributes given to them by Kroll to help him control and maintain his realm effectively. These other characters are referred to as Classes by Kroll, but they themselves aren’t aware of their powerful potential. When things go wrong with the Orthodoxy, the Classes’ sorcery attributes are unintentionally bolstered. Naturally, Kroll is terrified of being challenged by mortals that have grown in knowledge and power, especially his doppelganger Dacron, because this was how Kroll lived as a youth a long time ago.

Is there any hope for Kroll?

The problem with Kroll’s mind in focusing on single encompassing subjects like sorcery is that he easily gets overwhelmed when more than one big problem afflicts him, and like a coward he retreats because he doesn’t know how to effectively respond. He can send his armies and mages out, but because of his absolute control over the realm, it’s only really Kroll who can make a significant difference. And when Kroll does fight back, it is typically with such ruthlessness and ignorance that it backfires and distances him further from his kind. But at least, he tells himself, he has solved the problem!

There is a time during the story when Kroll has a discussion with a prominent alchemist – the faction of magicians that opposes Kroll’s establishment. The alchemist is trying to help Kroll’s inflexibility by suggesting Kroll be more open-minded to other viewpoints about their planet. As you can imagine, this does backfire because Kroll doesn’t want to be contradicted or challenged in how he sees, rules, and lives his life. It does, however, plant a seed of doubt in Kroll that may rise to dismantle his preconceptions. My question is, is this a good thing or a bad?

As Alex James, writer and founder of Kroll: Magnificence, I honestly don’t know whether I am happy if Kroll succeeds or fails. When I first started writing the story, I focused on Kroll’s background and his drive to make further inroads with his conquest – even to dream of capturing the stars. It was intended as a way to understand and justify Kroll’s outlook and behaviour, so I must have seen a reason to do so for my own sake.

Kroll needed to be properly challenged and contradicted. Is he really a necessary part of the realm?

Then it became important to think about how others would live in Kroll’s current realm, even when he tightens his grip on it. At this time, I saw how detrimental it was to the mortal characters, and I sympathised with their plight. Dacron fears he will become somebody like Kroll because of his fate and how other alchemists perceive him. Lacos, a privileged country soldier, has his family captured by Kroll’s soldiers, and he is betrayed by Kroll simply because Kroll decides country soldiers are no longer needed and represent a part of his realm he has less control over. Jade is captured and seduced by Kroll against her will because she is the most formidable alchemist, and Kroll is no longer content to keep her as a check in the system. You can see the harmful effects of Kroll’s whim in many scenes. By working together, the mortals are much more effective at navigating multiple problems.

My later writing explored how the mortals would work together to defeat Kroll in a realistic way. What powers would they use, and how would they plan to defeat him and save their partners or families? I looked at how I could move the story forward – what would life be like in a world without Kroll for my mortal characters? I also added a pinch of doubt regarding if Kroll really knew what was best for himself, and that maybe if he surrendered a bit of his power he could return trust and earn forgiveness. Of course, the overarching principle here is whether Kroll would ever really break free from the everlasting cycle, which both strengthens him as a ruler and yet inhibits him socially and morally. I don’t yet have the answer to that, but maybe I will in a possible second book…

 

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Outcast Journeys – Fantasy Box Set – Preorder and Release

Outcast Journeys - Fantasy Box Set

That’s right folks, I’m one of the contributing authors to Outcast Journeys, a fantasy box set with an epic twist. You can find my heroic epic fantasy Roc Isle: The Descent in the collection alongside such titles as Leros of the Underworld:The Tournament by Nathan Anton and Rys Rising by Tracy Falbe.

If you’re an avid fan of fantasy reads that take you into the conflict zone, battling against huge armies,  searching for the person you know you are, battling good vs.evil, immersed in hellish caverns in dark realms, going on quests with fairies and magical monsters; then look no further than Outcast Journeys.

Outcast Journeys was brought together with authors whose works share the same theme – outcasts going on journeys – and reflects a diverse range of writing talent from the newest and boldest independent voices in fantasy fiction, many of whom have extraordinary fan-bases.

Are you an outcast? Have you ever felt like an outcast in the world, eking out an existence but not necessarily living as you want to. Go on an incredible fantasy journey into the realms of warriors, fantasy beings, and adventurers. Join the struggle to become who you are and to find your place in an ever-changing landscape.

ONLY $0.99!

Preorder before August 2nd  at your favourite retailer and receive Outcast Journeys before everyone else!

Amazon

Kindle US https://www.amazon.com/dp/B01IFKP3JY
Kindle UK https://www.amazon.co.uk/dp/B01IFKP3JY
Kindle AU https://www.amazon.com.au/dp/B01IFKP3JY
Kindle CA https://www.amazon.ca/dp/B01IFKP3JY
Kindle DE https://www.amazon.de/dp/B01IFKP3JY
Kindle NL https://www.amazon.nl/dp/B01IFKP3JY
Kindle FR https://www.amazon.fr/dp/B01IFKP3JY
Kindle IT https://www.amazon.it/dp/B01IFKP3JY
Kindle ES https://www.amazon.es/dp/B01IFKP3JY

Google Play

https://play.google.com/store/books/details/Tracy_Falbe_Outcast_Journeys?id=wFavDAAAQBAJ

Apple iBooks

https://itunes.apple.com/us/book/outcast-journeys-fantasy-sci/id1132254573?mt=11

Barnes & Noble Nook

http://www.barnesandnoble.com/w/outcast-journeys-tracy-falbe/1124079091?ean=2940153116204

Kobo Books

https://store.kobobooks.com/en-us/ebook/outcast-journeys-fantasy-and-sci-fi-box-set-by-eight-great-authors

Smashwords

https://www.smashwords.com/books/view/648407

 

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Science Fiction and Fantasy Writer based in Leeds. Writer with Asperger Syndrome/Autism